Les Misérables
Here is some paperwork from my time as Wireless Microphone Technician on Dallas Theater Center’s production of Les Misérables. Printed on 3×5 index cards for use in show. As you can see, I had both a lot and nothing to
And what have we here, little innocent sister?
C’mon Becca, let’s have all the news! (Because it’s been a while since I’ve done this.) Anyway, as the first few lines would suggest, I’ve been hard at work all summer as a mic technician (or “A3”) on the new
The Beginning…
of the end! I’m writing this as I head into my final three weeks of undergraduate schooling at the amazing Carnegie Mellon School of Drama. There is plenty still left to do: I’m stage managing a production of The Brothers Size
Opening to Catastrophe
This piece was composed in the style of Young Jean Lee’s Theater Company for a hypothetical design of the short play Catastrophe, written by Samuel Beckett. I imagined it as a prelude to this preparation of a play, hearing an orchestra
The Crucible
This is a sample from my design for Arthur Miller’s The Crucible, directed by Tony McKay at Carnegie Mellon. The design concept for this production was that while Miller’s written words speak for themselves, the transitions between acts were used to